Oban 14 Year Old Single Malt Scotch Whisky (70cl 43%)

Cocoa, cream, coffee beans

“Scotch and Chocolate” is the name of an instrumental piece from the American bluegrass band Nickel Creek. Bluegrass musicians generally know a thing or two about whisky, and right enough, the two are natural pairings (that goes both for Scotch and chocolate and for whisky and bluegrass!) - not least because many Scotch whiskies themselves have flavours that can be compared to chocolate, whether it be the creaminess of milk chocolate or the richness and coffee-bean-like bitterness of dark chocolate.

Chocolatey flavours are often the result of sherry-cask maturation, much like dried fruit - indeed, the two flavours often go together, as with the classic Macallans or Glendronachs. In particular, younger whiskies - especially blends - containing a proportion of sherry-matured malt often have an overtly sweet milk-chocolate character; older malts often become richer and more bitter, with dark chocolate or coffee notes. Dalmore is an excellent example of the latter, while a lighter style is key to the appeal of the underrated islander Tobermory.

The rich and heavy sweet flavours encapsulated by this flavour profile are often the result of the charring of oak casks, which produces compounds known as lactones (so named because of their similarity, in terms of flavour, to dairy products). It is therefore entirely consistent that the creamy, buttery characteristics of this flavour are often associated with bourbon: the new wood which gives bourbon its particular character provides strong chocolatey flavours, represented in Scotland by Glen Garioch Virgin Oak or Auchentoshan Virgin Oak; Talisker Storm is another good example, where freshly-charred rejuvenated casks provide a buttery, bourbon-like mouthfeel missing from the refill-cask-matured 10-year-old.

Chocolatey flavours are an obvious complement to the more dairy-like or milky elements of certain cigar styles - Rafael Gonzales or Hoyo de Monterrey would be good pairings, for example.

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Tobacco, leather, fungus, rubber, light peat

Single malt Scotch whisky has generated tasting notes varied enough to put the world of wine to shame. Entire books have been published that try to do nothing but describe the taste of whiskies. This huge variation of flavour means that, if you try and condense the entire project of tasting notes to just 10 possible flavours, you will inevitably have to make some compromises. As a result, the set of flavours we have encompassed under the term “Earth” include virtually anything that is savoury or unusual, although they may not have much in common with one another. It is therefore more open to interpretation than our other flavour guides.

By “Earth” we seek to include under one umbrella all the flavours produced by light - not excessive - peat smoke: the aroma of pipe tobacco or cigar smoke, the scent of freshly dug soil, the dry smoke of a hearth fired by wood or inland peat; it may also include the distinctively savoury notes of rubber, leather or fungus that inexplicably make their way into some of the more complex single malts.

For example, peat is present in some classic favourites like Dalwhinnie or Highland Park in such small quantities that it is not at first recognisable as the same flavour that marks the peat beasts of Islay. Many of the older Lowland malts contained a thin streak of peat smoke - it remains to a certain extent in Glenkinchie, while those who are familiar with Rosebank or Littlemill will recognise a rubbery or glue-like characteristic. A medium peating level, used in many Highland or Campbeltown malts, may result in a very distinctively earthy flavour when it is lacking the saltiness that marks those of Islay: Ardmore or Blair Athol, for example, are still a good way removed from Laphroaig or Ardbeg, despite their relatively high PPM, simply because their peat source is dry and inland.

The savoury characteristic of earthy flavours goes well with the leathery or grassy side of certain cigars: the dryness may go well with a Bolivar or a Punch, while those whiskies balanced with a little sweetness might pair well with Montecristo.

Treacle, toffee, caramel, heather

The sweetness of honey is one of the most common flavours in Scotch whisky…particularly in younger examples of the popular Speyside style that forms the basis of many of the most popular blends, but also in the Highlands and, perhaps most characteristically, the Lowlands. The Island whiskies, too, often express a honey-like sweetness in their lighter forms. This is usually the result of the natural sugars present in malted barley, and so is generally more apparent in younger whiskies (up to 15-18 years of age) before too much of heftier flavours like wood, spice or dried fruit are imparted from the cask.

A richer, toffee-like sweetness often derives from European oak casks (generally ex-sherry), while American oak (ex-bourbon or newer sherry casks) produces a lighter, vanilla-tinged flavour that complements the natural sugars of the barley. The marshmallow-like sweetness of bourbon often translates into a lighter honey-like flavour in Scotch matured in ex-bourbon casks.

Good examples of single malts that carry strong flavours of honey are the classic Glenlivet and its many Speyside brethren; the lightness and softness of Lowlanders Glenkinchie and Auchentoshan; and the heathery sweetness of younger Highland Parks or some Highlanders like Dalwhinnie or Glen Garioch. In addition, virtually all of the biggest names in blended whisky are marked by this kind of flavour - the house styles of Johnnie Walker, J&B and Chivas Regal all depend on that sweet, youthful Speyside core. All of them are likely to go well with lighter cigars, particularly those with sweet flavours of their own, such as Hoyo de Monterrey.